beauty – Spherical Education

LET EVERYONE BRING THE GIFTS say the Bird Women

Let everyone bring the gifts!
The air is full of wings beating,
calling.
Let everyone bring the gifts!
This is the calling, the sound of spring,
the birds singing the plants out
of the ground, the buds
ready to burst,
the color, the immediate saturation of a
sigh
the word ah —again and again—
the sound of the origin,
a beginning,
ah,
Thank the Goddess, angels, Universal
Mother beings, thank the
ancestors, thank the bird people
and the seed people and the sea
people and the wee people.
Thank the forest and the wave and
the clouds and the seals and the mountains.
Thank the trees and the sands and
the chemicals and the stars.
Thank the pens and the inks and the
poets.
Thank the swimming creatures without bones.
Thank the eyes glowing in the dark,
thank the tremors and the volcanoes,
thank the dance classes and the musicians,
who feel the life blood of the spring,
thank the tender Earth, in whose footsteps we
walk, thank the curled and unfurling
ferns, the softnesses of the Earth’s body and
our own bodies.
Thank you cats’ fur, thank you breasts,
thank you sheep, thank you lions thank
you reeds and berries.
Thank you fungi.

The glow we receive we return back
again, again, again.

The birds sing and I remember.

The birds sing and I remember,
and my memories become a song in my body.

The flowers sing and I am reminded
instantly, to exhale, to feel the muscles
deep in my belly, my neck, my throat,
my ears, unclench and re-order,
ready to listen again
for more

xoc
3.18.21

words and image C.Savage 2021

listen to this poem read by the author (on Soundcloud)
LET EVERYONE BRING THE GIFTS say the Bird Women

On Landscape and The River Is the Path

photo Luis chumbe

On Landscape

Texture and Heat. Having been there makes a difference (does it?). (It does).

What I say is: “My body misses Latin America.” What I mean is: After 3 days in Iquitos, my body has recycled most of its water. I am now a living exchange with the air breathed by the Amazon River via the trees. I am made up of madura tierra, dolphins swim my blood, my body re-orients itself as a boat—after all the river is the path. (Wow, that one took a long time. 10 years maybe.)

As I am re-inhabited by the river, my body re-orients itself as a boat. The river is the path. As many times as I need to hear it and lose it. I lose it again.

Presently my body feels hollow, greedily metabolizing rare sunlight, missing the rainbow-haze droplet filtered quality. The water is life component. The swimming in the water-air component. The each footfall is a blessing communicated to the earth and lifted back up and out through the trees to be reabsorbed component. The roundness of walking as blessing and being blessed by the moisture in the air component. The Softness—if earth can be silty, slip silky, this is the quality applied to air. A warm stone feeling, hand warmed clay as walking environs.

Yesterday someone asked: How could you not miss the forest (la selva)? I miss the forest like I miss my sister, like I miss a birthplace, like I miss knowing where I actually AM.

Well! That was true! And elicited some breaking up of the dam inside of myself. I place myself there inside of it and the river land calls me, immediately, you can come home, you can come home. Yesterday I thought about it as my “spiritual birthplace” and that is not really it. It is the place where I became (and become) re-oriented to myself and to the world. My first and dearest long-term, long-distance relationship—with a river, weaving herself underground. Yes, I’m getting it, I’m hearing it.

Do I have to say, so obviously, the paintings with the black backgrounds are true. They are dreams, map flashes of landscape, they are connections of the human turned back in to communion with/of the larger experience. In the realities of Westernization we have an idea that perhaps were are floating in a kind of void, why we are obsessed with a cold-metallic-alone version of space craft and exploration, instead of an organic, community version. In the forest, I met a tree who is a spaceship. The presence of this craft-self was so obvious that it reminded me to myself, and that is a feeling that no longing for it could match. Coming home. Coming home.

That I will not be returning to this beloved, to this mother, this sister, this homeplace this turn is suddenly present with me. The recognition shuts something down in me, in the relationship, in the dreaming. But perhaps something else is being born in me, some hybrid seed of self that is both river and boat.

And to think–I was trained to feel that weaving myself back in to the dream is lonely. But that’s not true. It is Full To Bursting with Life, Blessing, Purpose, Meaning, and Beauty. It is filled with Truth. It is filled with the Real World.

Blessings on Your Heads,
Ashe
Charlotte

Casting the Net Wider, and Coming Back Home

we are insatiable—
our minds designed to crave,
to seek to hunt to track to
record to remember to find to
experiment
to pass on these traits to our progeny,
to figure out how to share these winding ways as far and wide
as can be imagined
and

we need to both cast the net wider
and come back home

we need to cast the net wider:
“man” has not made it past the moon.
a child born after 1969 does not know the taste
of that thrill
(Mars rovers incorrectly programmed between the archaic
“King’s Own” and
near-globally agreed upon metrics do not hold quite the same j’uj)

we need to cast the net wider:
our possibilities need to be set free,
released from the restrictive confines of
just one way (or the other), from mono-anything,
that we might see hear taste and
rejoice
in the Everything, in the
muchness of everything

we must cast the net wider:
we must begin to believe, once again,
that something new can happen, that
alchemical change can bring forth
something never before seen
in our neck of the universe (or not for a long long time), that
something new can become, out of our selves

and so, like those ascended of every age have tried to impress,
like tired children, like birds, like whales, like herds of
multitudinous ungulates (caribou and deer and such) we must
(don’t you think)
recover, dust off and shine up our inner compasses
and come home.

Return home like a wren to the nest, to where
life comes forth, to where hearth is warm
(or supposed to be), to where
loved ones wait with open faces,
open arms, open hearts, open minds,
just for the chance to light up
in greeting, in sharing story and song and
willingness to collaborate, to
sift through and shift orientation
to home, home, home, like a puzzle piece
turning to be settled and nestled
in place, it cannot be
reshaped by force or complaint, but
by movement, re-orientation, patience,
and time.

and now, now of all nows, it is time to come home.

it is time to come home to ourselves, to the possibilities,
to the potentials not yet uncovered nor turned over,
it is time to reformat old systems of
disparity—between I and other, between mind
and body, between self and world

coming home to ourselves as an act of
closing the gap and sewing it shut, of
leaping chasm and bringing two sides of
something together, forever (or for the mean time)

coming home as a radical act of care for
self and planet and universe and any and all
lands we walk in, home as beam
of light, home as beacon

come home body, come home Earth, come home tree, come home water,
come home wind, come home squirrel and antelope and humpback and hummingbird and snake and crawling thing and winged ones calling from the skies, come home to me rabbit and fox and fur and tooth and dirt and rot and claw and antennae. Come home to me transmission and transformation. Come home, home.

And so, in our capacity to cast the net wider,
let us not forget to catch
ourselves, too.

And in our coming home, let us not forget
the chance to include other.

May we hear and heed the call,
may we become, already, that which
we do not know we seek, but that which we are.

listen to this poem read by the author on SoundCloud:

Casting the Net Wider and Coming Back Home

Magical Missions P.2 How Children Come Into This World

Magical Missions
requesting children
having spirits leave my body
curled up and hurting
clutching rocks and praying on the forest floor
the moon bleeding out of me
I cried.
requesting children and a flood of children appearing to hold my hand and walk me through their lives
requesting children and being sent whales, and guava, and dolphin-eyes and pregnant dolphins and fishes and eels and the Io Valley
requesting children and finding loneliness and drinking and comfort of friends
requesting children and finding no-job
requesting children and going to grad school instead
requesting children and finding myself as my own child
requesting children and making my house into a joyful place for everyone
requesting children and encountering Indira’s Net again and again
requesting children and receiving dreams, and poetry, and stories of other women
requesting children and continuing to walk with them down the paths of neighborhoods
requesting children and watching love unfurl in others around me
requesting children and encountering rage, and more blood
requesting children and facing my fear of the dark, and aloneness
requesting children and one heard me, and made an agreement, through several strange trials, and made of me a chrysalis , a chrysalis who repeated the Bene Gesserit litany against fear into the mirror on a daily basis, a chrysalis who could not eat enough, or get out of bed most days, a chrysalis who dreamed, and dreamed, and dreamed as if making up for lost time on the way, a chrysalis who read and watched movies and frequented target and made tallies of the items necessary, a chrysalis who swam and chanted mantras into the ceiling of the gym pool, a chrysalis who was able to leave world-worry for focused task, and then endure a trial by fire of ancestor women in caves, the long lineage weaving and winding, sending smoke in lines through the ages humming and murmuring by fires, the ash lines being drawn out, predictions made, singing, making enchantments over the mouths of those venturing near to hear the cries of the mother, the first cries of the baby, say nothing that is not peaceful, encouraging, say nothing of fear, of potential of danger, do not call the darkness in. women with black smudged mouths and eyes keeping rattles occupied, drum skins tight and soft talking and in communication with that which is making its way though.
in spanish an expression for “giving birth” is “dar la luz,” meaning to give the light. bringing light through the tunnel, through the fire, through that which we have forgotten, or do not know, bringing the light.
my child, when he was born, was pearlescent, and quiet. he was tired, the journey was long and his ears were still whooshing with heartbeat and intestine and exhale. the midwife picked up his left pinky finger, splayed on my chest, and he opened one eye like a napping old man, scrunching up his face. with what emotion? raw exhaustion? disbelief?
it takes a long time, it takes a long time, it takes a long time.

Iquitos, Freaking Center of the Universe, 2018 ed.

Iquitos, Freaking Center of the Universe, 2018 ed.
I.

+swimming in the energy of Belen

+pink dolphins like twisting flags, traveling

+tossing friends into the air

+dancing and throwing limbs to the edges

+deeply surprising lunches and motorides

+witnessing transformation, mastery, awareness

+making a magical, medicinal space

+being held by the Amazon, swimming in space

+being healed by the hands of my community, creating a space for safety and direct contact

+listening and being delivered treasure

+receiving indigenous wisdom via community and plant medicines

II. Thank yous

Thank you
for the gifts
the gift of murga
the gift of seeing and being seen, of being heard
the gift of meeting, encountering, moving together like a cloud of birds, vapor,
molecules in a container, together, and flowing out to join with what is, with other, with water

Thank you
for the gift of your eyes
the gift of your heart—wide
thank you, thank you for your pouring
of intention and commitment to task
thank you for your sensitivity, your sensibility, your gentleness
your creativity, your flexibility

Thank you for bringing your magical self,
your mystical, mythical self,
your self as you walk in this land and other lands.
Thank you for bringing your awareness,
your care,
the extension of yourself in this and other worlds—your love,
your body full of medicine

Thank you for your kisses,
your hugs, your squeezes
around the middle,
your loving gazes

good morning, good evening, good night,
blessings, blessings on your heart, your eyes, your life

Thank you for being light bearers
thank you for being
thank you for thinking of water, and
river, and
grass, and
eyes, and
plants, and
hands, and
carrying,
carrying the gifts in
your hands,
your eyes,
your heart.

Thank you for your blessings,
Thank you for the blessings that you are.
Thank you for being kindness
Thank you for bringing joy.

xoc

for breakfast

I weep for the magic of the world. And yet. And yet. Does it need my weeping?

Holding a small round of bread spread with white cheese and Imladris Farms raspberry jam and thinking of [slipping into] some far off homey fantasy perhaps populated by hobbits my still-physical body/eyes sense that the bread is steaming, though it is not hot in my hand and my dreaming-mind is providing the perception of molecular events…I hesitate to use the word “reality,” it has myriad personal connotations and while there are facts existing and we all share this world, etc, where our filters meet there is a glamour..[of…]

So my brain and mind are trying to make amends/make sense of this observed phenomenon and somewhere in there, in the next few [following] seconds I see the coffee cup, partly obscured and steaming in the background. And I am overcome by the desire to cry.

Though I do not believe I am a particularly special specimen, physically or chemically, my allowing of events to unfold in their own time gives me something I cannot find, could not find if I looked (and I am looking) [that i cannot find though i am looking] elsewhere. Somewhere other than my own mind. It’s not that it’s fascinating (here I am considering what my counselor has to say) but that time seems to slow down/alter in story. It is not My Own Story. It is a story of being in the world, and the curious moments that open up when the sensory input says something is happening [that is not happening] that is not corroborated by other senses. What then? That it is not “real”—well, in a sense, “who cares,” or “everyone already knows that.” But for a moment, I don’t know.

I am thinking of the parts of life the memory immediately erases, unable classify and place, and this small occurrence among them—a fucking piece of toast and some coffee steam—that would disappear before I leave the table, without this examination of the brief confusion I felt, between breaths. Most often they are in nature, colossal and unreal to the modern mind, unused to such patterns, unable to identify and store—a nearby breaching whale, huge beyond belief, a murmuration of birds (my, I really must have overdone it, or overnight without training become a mistress of object manipulation), the last moment of birth—my own body doing something beyond my imagining or processing though I have seen it on film and with [viewed happening in the body of] others. Those seconds disappear, replaced (if allowed) by wonder, by a sense of profound order of Earth.

And so here I am again, my hands covering my eyes and a lurch in my stomach. We need the magics imagined by women. We need the creation and the recovery. We need the rolling of the heavens, of the stars, of the…of the beauty swelling through. We need the memories, the singing, the trades. Do good deeds with your hands, I am tasked, I am asked, I am given. Do good deeds with your hands. My son sings seeds into punk music. Respect, love, honor, true love, true love woven into everything we do—the net must be created, or repaired, recreated for this era, the strands unravel, all hand-created objects must have care, must be made with care. Must be made with care.

Where is a place where we could go to figure this out, some fallow valley land, some mountain green nearby, some stream, some place, some heaven. Where could we sit on the ground and run in the sunshine and let our hair grow long and our minds grow wild. There were places like this and somehow the weavings were not enough—aha I am now thinking of old California and the idea of freedom The Idea of Freedom where there is already a system of unfreedom, of oppression, of struggle. I am thinking of the societies before ours, based in art, in making, in creation, in pulling the threads from the very atmosphere and I have seen it. I have seen the threads and sat in prayer and here I am with my eyes closed and my hands clasped and the streams and waves and waters of knowing and disbelief descending on me in ribbons of light. All parts of myself making amends, I stretch my arms and open my eyes and here this strange experience is happening to me in public, in an unassuming coffee shop, and I am thinking of my friend across town and perhaps she has been lost, separated from the web, and I don’t want to write about that.

Somatic response and questions re:Bjork on Bjork

Glass bridge to Hunter Museum, Chattanooga TN, Sept 2017

Last night I read an article on my phone—Bjork interviewing herself, and I felt a tingle in my ribcage and on the tops of my thighs. I felt this strongly at the Hunter Museum in Chattanooga. A somatic response to arts, not just an idea.

And then I came up with some questions:

What if we were happier?

Would we make different things?

Would our minds fire differently?

Would our mind’s fire behave differently?

Would our mind’s eye cast a different light?

What would we cast?

What light would we sing?

How would the missions differ?

What. small. molecular. changes would be made? With our vision, with our voices?

Be not afraid, angels, to rearrange the pattern,

to create form where form must be seen,

and to dismantle, dissolve, and resurrect where it is also needed.

It is also needed.

What if we were happy?

(Audio recording )

https://soundcloud.com/user-832655160/response-questions-2017-10-13

xoc

Bjork article, W magazine

https://www.wmagazine.com/story/bjork-interviews-herself

Birthday Gift

Birthday writing, Sept 1 2017, Well Bred Cafe, Biltmore, Asheville NC, with Aile Shebar

I wrote to you, Aile, on the evening of my birthday to say, “look at the clouds!”

I was on the lookout for them, the memory of our write night last year with the shelf of clouds—impressive, ominous and awe-inspiring—this duality of non duality clash and uprising. Is something hiding there? or just
the feeling—TOO GREAT, must be something behind it—
GREAT, maybe something else AND
just the beauty, the great-ness the
simple combination of
super powers—air, water, wind, light. Something SO HUGE, so mystical
and ordinary.

My heart is calling me toward the color and the form— of
cloud, sunset, tree, leaf, stream. My eye is alerting me to
WATER. WATER. WATER.
Like a timer going off.

Many memories pop up in my brain like an alarm WAKEUP WAKEUP WAKE UP.

On my birthday, I sought the pool that is the color of my eyes.
Sitting, feet and hand in the water, praying,
asking,
Mother, what can I do, Mother,
what can I do for you—

singing.
Silently at first and then with voice,
(here I am starting to grip my pen closer to the nib)

singing. a breath. another breath.

Mother—
what can I do for you?
Please.

And like a wing beat the answer came into my body

you can return.
you can come home.

When I am singing
songs of longing,
longing for you,
you, you
I am waiting here always for
you
you
you—

like a drum my heart finally started beating
FOR.
ITSELF.
FOR.
MYSELF.
I have been waiting for
you you you and
you are right here.

I cried. I let the hot tears fill up and spill out. There was maybe one other person there, I don’t know if he was on the rocks and observing a part of this ritual, this silent, crying faerie in the sometimes sparkling water//A small woman crying with her feet in the pool, under a shelf of boulders.

I made the pool for myself, blocking the views other than birch and rhododendron and water and rock. With my feet I observed the small flows tucked back into the rocks. The undersides trembled a little bit.

I put my right hand in the water, to hear.

I cupped my left hand to my heart, to hear.

And I listened, until the question came,

and I listened, until an answer was there.

And then I listened to the heat in my tears and to the shush of the falls and to the color and the shapes in the rock sticking up in front of me and to the green, green leaves filling my vision.

Mother, I am here.

The Space Whale and Permeability to Dream

The Space Whale, Black Rock City Nevada 2016

Photo from www.thespacewhale.com

I. Two weeks ago I dreamed of a permanently flooded city that had been re-designed to match with the water levels. Swim-up doors, resolute folks wet-suited for errands, makeshift boats picking up floating garbage. As I paused in a doorway and looked out to the bay I caught a huge movement. A baby humpback whale playing, slowly twisting in the water 20 yards away. I was filled with love and appreciation, and something larger. Shock, surprise, a tightness in my chest being so close to this huge animal, sadness, and knowledge that the mother was somewhere close, hugely, underwater. I pointed and exclaimed to others busily swimming, and they stopped to look. “The mother will be there too,” I said.

The baby swam close, closer, passing by us ten feet away. I could not even gasp. My body swelled, constricted with rising blood thrumming, panic and anticipation and wonder and there, underwater, almost touching us, almost crushing us against the building edifices, there was the mother. Colossal. Almost beyond belief, her movement, her body parting the water, designed for curving through, deep sea diving perfection, designed for singing, created by the water itself. If not for the dream, in waking life, I may have died right there, exploded into round particles of ecstasy, my brain and body ready to move on after this moment of contact with this embodiment of creation.

Holy moment. I am moved to crying, even recalling this experience. I could become, my whole body, the lump in my chest moving upward, a representation of tremendous quantities of water moving through. If I am listening, I can hear. If I can just keep my eyes open, I will see. The water, the trees, the living things of lands and waters call to us, singing. I am You, the mother whale sweeps through my dreaming, We are Become together. I want to say I cannot yet believe this. I want to deny, but we are at the very edge. We are osmotic. I am permeable to the dream. I am. We are.

II. Several days ago a friend shared this sculpture and my heart wanted to leave my body. Here they are. Our dreamers. Our friends, Our Relatives, Those who would warn and remind and inform us. We believe we cannot fathom, but we can. We can. Together.

Thank you to The Pier Group and Android Jones for creating this dream into physical space/time. It’s now.

For more information on The Space Whale project and mission, please visit www.thespacewhale.com.

With love,
Charlotte

Clown as Blessing

photo by Atomic Adams, Guatemala City, shelter for community displaced by catastrophic landslide, November 2015

I must say, truly, clowning buoys my days and gives me courage and protection to rebel, love, play, smile, and be ridiculous as an act of peace and hope in the face of the horrors of the world we live in today. The clown gives me a buffer when I am crushed almost to death by the denial, greed, meanness, hatred, and fear in humans, and our wanton destruction of our home planet. We are making things unlivable for ourselves… and only we as individuals can begin to be accountable.

Clowning has given me many gifts– access to places and peoples I would have NEVER known or believed existed, moments or hours of play with people who may not have been looked in the eye or treated like a human in YEARS, it has given me singing–my own voice!, it has given me a deep well of inspiring friends around the globe to believe in and support and be supported by–a bigger community to love, it has given me permission to be odd/to be other…rather, to be MYSELF, because hey, I always have the cover of “well…I’m a clown,” it allows me to CHOOSE to try on the role of the lowest member of society–to be pointed at as the fool in any community– and to see what the view is like from down there.

Clowning has given me a global education in the various ways we treat the lowest members of our societies. I have been met with situations I will never begin to understand, have encountered the wounds of systemic oppression that leave me wanting to lie down and give up, and YET…what else is there to do? but show up and be myself, my individual, tender, in love, bizzarro little self, and witness and give my little heart to the places where people struggle every day to live.

Clowning gives me hope, and purpose on the path of good and love and joy and beauty and friendship and connection in the world, and gives me the tools to stand up and be brave and be a blessing in these desperate times. May I continue to be able to learn from this work and play, to take in the unbelievable and sad and lonely and suffering, may I take in the joy and love of communities and families in their resourcefulness and courageousness, and make of myself an offering of joy, of love, a spark, a light, an odd little possibility…may I be able to give and receive the blessing that I, as a clown, can be in this world.

I owe a tremendous debt of gratitude to my sister Lillie for sweeping me up into this way of being, together, to Patch Adams and John Glick for believing in me, to my family for supporting me, and to all of the clown family who believe that clowning is a powerful tool for social care.

C.Savage 7.12.16